Psalm 31:9-16; Philippians 2:5-11
Preaching
can be a unique tool when in the hands of a well versed, charismatic
individual. But singing is the lifeblood
of this congregation. Most of you have
forgotten the sermon before lunch, but when either choir sings, this sanctuary
becomes a holy place. Words might impart wisdom but songs evoke sacred
memories.
I
couldn’t have been more than seven when I first remember my father singing, “It’s quarter of three. There’s no one in the
place except you and me. So set ’em up Joe, I got a little story you ought to
know. Give me one for my baby and one
more for the road.” My father doesn’t drink, my father didn’t hang out in
bars and my father has been faithfully married to my mother for over 65 years.
What my father has is an occasional angst that is only soothed by hearing the
blues. I guess he figured while he couldn’t change my genetic blueprint, he
could place within my deepest memory a melody to appease the pain.
Certain
songs allow the incomprehensible to be considered. In this season of the holy
and the unimaginable, nothing I can say from the pulpit will be adequate. How
can murder be justified? How is resurrection possible? The questions are too
difficult. That’s why we sing. Songs inspire us. Songs take us where the spoken
word can only suggest. Above all else, songs give congregations the courage to
lift their voices together and make a joyful noise.
Arlo Guthrie, in his
18 minute tribute to a restaurants and littering, claims if one person sings a
song nobody cares. If two people sing, folks think their crazy. If three people
join in it’s downright scandalous. But if 50 people sing in four part harmony, it
becomes a movement.
Jesus
told stories, Jesus preached sermons, Jesus gave inspirational talks, and even
did a few tricks on the side but his disciples weren’t ready to go to Jerusalem
until they learned a simple little tune. “Hosanna, blessed is he who comes in
the name of the Lord.”
That
ragtag boy band was weirder than anything that ever emerged from Guthrie’s
fertile mind. Think about it. Twelve guys, no sopranos, just a bunch of basses
and John, who of course sang tenor. It was a group of fishermen and farmers, a
tax collector and a rebel. For three years most of them never said anything.
Then all of the sudden they were screaming from the top of their lungs,
“Hosanna.” They grabbed anyone and everyone they met along the road and said,
“Come on, you can sing with us. Hosanna, blessed is he who comes in the name of
the Lord.” Arlo was right. When Jesus sang by himself, nobody that mattered
gave him the time of day. But when fifty, then a hundred, then a thousand
joined in, they became a movement.
Their rebellious tune agitated Chief Priest Caiaphas.
The people were definitely not singing his song. Caiaphas gathered some other leaders
and plotted the demise of the one who challenged their authority. That’s when
Jesus broke up the band and went solo. But his song of hope had already been etched
in the memory banks of his disciples.
Unfortunately, it was more
than a week before those memories kicked back into gear. In Psalm 137, the
psalmist is asked to sing one of the songs of Zion. He responds, “How can we
sing the Lord’s song in a foreign land?” The moment Jesus dismounted from his colt,
he entered a land void of song. In the coming days he would be betrayed,
rejected, denied, reviled and deserted. Not one single disciple stood up for
him. No convert attempted to plead his case. Jesus was alone, in a foreign
land.
Perhaps Holy Week is
best understood through the voice of someone who has been whipped and
dehumanized. Perhaps Holy Week is best visualized by someone who has witnessed
the execution of one who is innocent. Perhaps Holy Week is best sung by the
voice of an American slave.
Nobody knows
the trouble I’ve seen.
They crucified my
Lord, and he never said a mumbl’n word.
Jesus walked this
lonesome valley.
Holy
Week can be absurd to someone who has never suffered. Holy Week is offensive to
the logical mind. Rational folks question the very meaning of Holy Week. Skeptics
claim we have celebrated the Good Friday and Easter story for so long we seldom
give it a second thought. Is it logical to sacrifice a son? Is it realistic to believe
the sins of humanity can be placed on the shoulders of one man? The world has
witnessed the martyrdom of many innocent people. But who else has been brazen
enough to suggest Godly significance be associated with their death?
Leave it to the
Apostle Paul to make such a radical leap from common sense. All of Paul’s
letters were composed before the Gospels were written. Matthew, Mark, Luke and John were developed in
the shadow of Paul’s Christology. In the book of Romans, Paul composed a
treatise which still informs our understanding of Jesus as both Son of God and
Son of Man. For centuries, commentary after commentary has wrestled with the
complexities of this intricate examination of the one we call Lord. But when
writing his letter to the church in Philippi, Paul borrowed a beautiful love
song from the hymnbook of the early church. Each Sabbath, folks would gather. At
the appropriate time the worshipers would sing these words to describe their savior.
“Christ emptied himself, taking the form of a slave. Christ humbled himself,
becoming obedient to death. God exalted him that at the name Jesus ever knee
should bow.”
Early Christians
understood slavery because the majority of the members of the early church were
either women or slaves or in many cases, both. Early Christians understood
humility. They spent a good portion of their lives trying not to be noticed.
They sang this song fervently because they could identify with the humble slave
named Jesus. They sang this song religiously because they longed to be exalted
by the saving grace of God.
We don’t live in the
first century. How is it possible to understand Holy Week today? How can one
even become engaged in an objective discussion concerning the cross and the tomb?
You can’t rationalize Good Friday or Easter. They must be experienced. They must
be sung.
What song will occupy
your waking days this week? Better yet, what tune will disrupt your sleep?
Perhaps you will hum O Sacred Head Now Wounded although the
incredible harmony by Bach can distract one from the mystifying text composed
by Bernard of Clairvaux.
Many of us will
quietly sing When I survey the Wondrous
Cross, based on Paul’s words, “May I never boast on anything except the
cross of Jesus.”
There are so many
songs which connect us with experiences which continue to define our faith during
this holiest of weeks. I still recall sitting in church as a teenager and being
captivated by a powerful recording of James Weldon Johnson’s poem, The Crucifixion. But it was always the mournful singing of Were You There that broke my heart.
Singing reminds us that
the light of God shines forth regardless how deep our soul might plummet. We need to sing because the crucifixion is a
baffling, almost embarrassing event. How do you explain the centerpiece of our
faith hanging between two thieves? Who in their right mind would believe such a
story?
A man, claiming to be the
Son of God, died like any son of any mother or father…………And all we did was
watch.
A man, willing to
submit to the unknown, stepped into darkness without any guarantees………And we still
watched.
Then that man trusted
his God so much, he invited us to follow him not only TO death but THROUGH death.
That’s when we got the
band back together and sang, “Hosanna, blessed is he who CAME in the name of
the Lord.”
To God be the
Glory. Amen.